played by ricardo villalobos, original released in 1994... da war die welt noch in ordnung :-)... naja ansichtssache. keine frage hingegen bei diesem klassiker: da hat medizinmann van helden ein meilenstein der extraklasse hingelegt!!! special backstock !!

stepping to the hard left, richard sen + cazbees edits are always a touch different from the rest of the zillion edits around. influenced by the newave and disco not disco sound of clubs like the music box these 3 new cuts have a disctinctly dark and naughty flavour. listen and judge for yourself…. mixed blood cuts has been supported from djs including: dj harvey, andrew weatherall, optimo, padded cell, idjut boys, cosmo vitelli, mark moore, pete herbert, lovefingers, golf channel and more.

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

ultraphat raw / dark dubby detroit influenced track, very analogue flavours

big with timo maas, reboot, butch, paco osuna, hermanez and many more. coeur de lion is a deep techno and mental track using dark voices to give a kind of religious atmosphere. on the remix the cadenza artist salvatore freda, and his friend yvan genkins, inject a dose of percus and synths which give another dimension to the original and should push it to the top. on the flip the original of stand is another driving number. deep with some acid touches using pads to give a floating sensations before sticking us on the dancefloor with dark speaks. the desolat artist m.in gives more muscles and groove to the original using his talent to deliver a dancefloor hits.

in an effort to help our dear friends in japan, esp institute presents part 1 in a ltd vinyl stash, all proceeds going to japan relief efforts. cos/mes brings a triumphant theatrical vocal stomper on side a with hey yah and ene label boss chida drops a dark dubby pumper on the flip with danca. sure to fly off the shelves, ltd edition red vinyl, no repress, enjoy!

freaky vibes is proud to present speaking of love ep. the original mix is an old school track with spooky and deep atmospheres mixed at well with an huge groove and a solid dark vocal. you can find also the fabio ricciuti & groovik rmx. the result of this collaboration between the label owner, groovik, and one of the most talented djs on the italian scenario, fabio ricciuti...is an old school version that reminds the golden old times!

black waves is 4 tracks of deep, dark club music. since the release of his critically acclaimed album >generation hexed<, drums of death has been obsessively developing a deeper and darker sound that is tailored for the dance-floor. black waves fuses frantic 808 drum patterns and dramatic synth lines with fresh, contemplative melodies. its music born out of its makers passion for techno and house.

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

one of the leading figures in the modern house and techno movement, patrick chardronnet returns to audiomatique with another surefire weapon for the summer. >pleasant day< is perfect for the open air season, yet contrary to what its title suggests, its a dark, funky and freaky tune that carries many trademarks of the audiomatique sound. liquid synths and acidic bass fused with modern drums are all precision engineered to the super high quality level youd expect from chardronnet. the lush and divinely deep >aim< takes us further into the sound capabilities of this seasoned studio hand. fluttering, tropical moods soar through colourful layers of dubbed synth textures and strong, surging bass

morning caffeine is the debut release by poker flats martin landsky on mobilee that we have all been waiting for! as a poker flat artist with huge success to his name for various remixes, he boasts a discography that reads like a guide through electronic musics hottest sounds. always refusing to be pigeonhold, landsky continuously embraces different paths and once again hes brought something new to the table. title track morning caffeine (main mix) kick starts the ep with both a dark and uplifting mood as a slightly twisted loop continues to build throughout the track, never really culminating but carrying on inescapably, whilst in contrast the organ dub version offers a much lighter and bouncier atmosphere. aint nobodys is the pleasant surprise of the ep, once again demonstrating landkys musical diversity and serving up really special warm dreamy vibes

one of italy’s strongest techno forces returns with his third release for sonic groove. obtanes latest expedition comes in the form of two songs. >utopian man< starts the release off . a highly infectious foot and mind burner with sweeping bass sounds, dark atmospherics & solid rhythms. overlap this with catchy detroit styled keyboard stabs and you are in for a 10 minute ride into worlds unknown. as one ride ends the next one begins with symbology of decline. this banger of a peak time dance floor techno track wreaks of old school belgian techno flavor. the main hook of the track sweeps and swooshes its way through the speaker cones while the drums punish the speakers and listener further into submission. the perfect formulation of rhythm and sound and another 1/2 knock out punch from obtane.

mr bratley drops 2 slo-house workouts on his foto debut. this sound is big and brash with insistent stabs and filter sweeps over the top of some thumping pitch-down house beats. on the flip things get even heavier with get up, a dark, pulsating beast which ups the jack factor whilst maintaining a slow tempo. to round things off label boss ooft! pulls this sound into solid deep house territory with a smoother mix which still contains some serious bottom-end.

mad scientist mr. blanco is back with a stunning ep. the hague neo-disco for the dark hours.. fantastic reissue

model man is the nom de plume of the diverse dutch man dj overdose. forever strangers is the second model man release with dark dense electro pop, sinister and playful on the new bordello a parigi imprint. comes with beautiful picture cover, illustrated inner sleeve and hand numbered press sheet. a great record made with a lot of dedication! the pleasure of buying vinyl!

this time splendid lo-fi come up with a little and powerful v/a: rio padice is up to skies right now, nothing can be high enough to stretch out his hands and grab it. with vixen he has done his finest work and brings us deep and rough sounding analog and mature simplicity. a sound like a fox roaming thru the dark forest. a pure 909-sound meets a butter packed bassline. this is ment to be very classic stuff. a concept also steinwiese has arranged perfectly. a lusty and classy piece of very crackling music for the vinyl. on black bird a crispy bass and a strong chord are taking us on a ride and show the same forest from above. this one is definitely for the nighttime

banger harder schranz techno

support by dapayk, martin landsky, dj sneak, kisk, toby dreher, brothers vibe, andre kronert and many more.
amazing dancefloor aiming bombs. a journey into a mixup of house, techy electronic, jazz and funk. collaboration with pezzner, aki bergen, markus schmahl and others are only the pike of the iceberg. he is one of the unique acts who isnt afraid of mixing styles, genres, vocals, feelings and rhythms. mastermind scope made a huge oldschool sounding house bomb and eelke kleijn metamorphosed the original into a floor bombing and dark sounding, dancing monster.

first release on this new tuscan label - good starting with this summer sound. 3 tracks of deep tribal style. old school grooves with dark vocals - classic deep progressive sound!

two dark and spooky techno

decks tipp track 4 ... this coloured edition with spezial coverartwork is a ltd repress... the ep proposes an interesting track-list from deep ambient to rolling housy dark groove with the single don t change (original mix) ..where the fresh vocal line leads to a magic journey on the 44 beat bringing the vibe from the underground club-movement in istanbul (tk) one of the most intersting cities in europe at the moment. this time remixed by hugo (mobilee, trapez, 2020 vision) and mussen,emerging label manager and producer from milan supported by: deepchild, hugo, dapayk, someone else, minicoolboyz, mussen...

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

returning to the plus 8 fold once more, paco osuna is one of spains finest electronic exports. having made a name for himself with a residency at amnesia over a decade ago, he hass since gone on to play places like watergate, fabric and movement festival, all the while holding down a residency for barcelonas club4 night at city hall. his experience in the studio goes way back, too, with releases on drumcode and minus as well as mindshake - the techno imprint he founded in 2005. the osuna sound has never strayed too far from the pulsing heart of the dancefloor - despite investigating everything from dark and fierce to stripped and raw techno - and thats the case once again on his four ep …

dark and dirty , raw analogue feel

big with: sven väth, laurent garnier, … the original of marco rhauderwieks >live jam 1< is one part of a lot of sessions he did and this is the first on a vinyl. his sound is deep, powerfull and with a lot of >dubsoul into it. great!the remix was built by youandme and is an ultra dark smashing techno track, exactly the right for the darker floors on this world.

here comes the eighth release in the line, pressure cooked by christian wunsch. three slices of fine modern techno, but with strong roots on tradition. buried mistakes opens fire with clean drum programming and punchy beats. spacey arpeggios and subtle drones are the makings of this movie. on the flip side, complete surrender uses similar rhythm coordinates, clean percussion sounds programmed with extreme taste, constantly evolving until the strings come in, creating a sci-fi futuristic mood, perfect for techno travellers. inevitable war is the last piece slower tempo, intelligent drone work out, dark atmospheres lying on a single kick, growing to make a complex beat as the minutes go on. they call it deep techno out there. a departure from the hard edged sounds on behalf of a mental way of understanding techno.

label owner, ryuji takeuchi, is on duty to drop another bomb for the 2nd release on his own local sound network (lsn) label. while the 1st release, final weapon ep, is still hot, ryuji really shows his definition of techno with his unique style, which can be well described by these 2 words: tense and relax. on the a side,heart beats solid kicks you in the head with its dark, evil and brutal elements. audio injection, l.a. based techno producer, adds another essence of darkness and deepness to it and gets your heart beaten even more straight. on the b side,heart beats tight represents more straight and hypnotic side of techno. bosnian all time favorite, mikatek aka dj mika, gives some funk and space to it and keeps your heart beaten tighter. anyone could hardly stop its heart beaten with this ep, and thats what this ep stands for. make sure to keep your mind open for the upcoming releases on this local sound network imprint.

lady blacktronika, nick turner with baley jemille deep house sensation ! superb release

pattern select aka milton jackson and show-b have gone well and truly back to the raw on this, their first collaborative work together and debut ep for delusions of grandeur. both producers have been busy on some top quality projects just recently with milton jackson remixing recloose for planet e and show b producing for robert owens on compost. the pair met at a party in munich, promptly fell in love, and soon enough pattern select was born. kicking off tale of the tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. tale of the dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

dark and raw undereground techno

boundaryless ep fromnew producer, tessela, the first vinyl release for the west country (uk) producer. making some noise in the virtual world, this foray into vinyl is a mix of styles with the heavy emphasis on bass made all the more interesting by the pitched down vocals and synths. ravey but dubby, dark but fun, 3 tracks in all give a proper introduction to his developing sound.

with its corroded, live recorded sound and relentless machinedrum, le coq is a trip to the shadowy, not to say drunk side of dance music. as an acid statement this track is right on the money without ever submitting to any ground rules of vintage acid. truly envelope-pushing electronic wizardry with a dark edge. stripped down to a bare minimum, the flip side hollywood goblin evokes the linear pulse of early body music, while the lead synthesizer adds a touch of cabaret voltairesque arpeggio magic. universal rejection was established in stockholm, sweden in 2011. the label is the collective effort of a closed circle of friends sharing the vision of a parallel universe trough raw, down to the core electronic dancemusic. every new release is a code. it represents a piece of what universal rejection is, and proves that the label will be in constant flux while at the same time always remaining true to itself.

david moleon is an expert dj and producer with 13 years of experience. it is common to see david share line ups with big names like dj pepo and cristian varela, who praise his immense creativity and talent as a producer. david has a special knack for producing hit tracks that have become essential parts of the sessions of europes most popular artists, including ben sims, pepo, cristian varela, robert natus, eric sneo, dj murphy, dj link, cesar almena and nuke amongst others.both his dj sets on 3 turntables and his live-acts are examples of high-quality djing, technical ability and force, making him a well-rounded dj, and particularly the stand-out artist from the south of spain.with over 50 records in the market, on labels such as patterns, submission, cobra, soul access, sp series, adult, etc. david has become the most prolific techno producer in spain. in europe, hes know as >la joya espanola< (the spanish jewel)

behind nomaton hides one of uppsalas true techno veterans. erik möller made himself a global name in the beginning of 2000 as the stripped down house musics champion with releases on labels including force tracks and sub static. he has played all over the world - from ibiza to tbilisi, and the audience at the legendary berlin clubs ostgut and watergate has been able to dance to his live sets. as unai his subtle technopop was hailed by all sorts of camps: from new york times to the wire, from house-djs to to pop connoisseurs. as he now comes forward with a new name, it is very much a return to roots. with nomaton he takes us on a trip to the dark heart of techno. a heavy-bass thumping heart full of dirty basslines, grinding rhythms and ecstatic minimalism.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

from now on, the duo’s ascent was constant and then lightning struck: remixes for n.e.r.d, britney spears, franz ferdinand, u2, daft punk, lenny kravitz and an ep in 2006 (” waters of nazareth “) defining the “justice sound, this famous ultra-powerful compression of pop and baroque melodies, both dark and threatening, lightning and animative, and above all the famous justice image, the cross from which an earlier version figures on the first ep. 2007 was the explosion that will turn the duo into the emblem of a whole generation: their first album “†, anticipated like the messiah, holds all the promises, and swept everything away as an epic soundtrack. “†” is more than a magnificent synthesis of our time: its potential definition. 800 000 sales worldwide and 4 years later, the album is considered as a mainstay of the 2000s puzzled and tonic, one of the few who bridged the gap from pitchfork world to mtv without losing its credibility. ++etched vinyl + 90 cm x 60 cm poster (500 are signed by the band !!!)++

nice price deal !!! pouy presents kimet & xandro with triple makina-madness for sinthetic records.

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

if there is any country fitted for hard techno its poland and that just happens to be the country mental crush is from! devastating hard beats from the industrial part of the planet. dark, heavy, dark, nasty, hard and did we mention dark?

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul. this powerful building begins to rise, makes its foundations and basic structure in these architectural series, that present us the impacts, snaps and warping that a real construction team realise with their hard work, exploiting a dark desolate waste ground, following the architects indications, who generate, in his mind, the entire project that will rise in our ears.this interesting project will be launched in classic vinyl, as well as in digital format. do not lose the opportunity to give yourself the first creation, of the new referent of mental techno of spain, it is going to set a lot to talk about..and to think

celebrated spanish techno artist ascii.disko returns to biatch corp for release number 13 on the label with two divergent remixes from taster peter and jussi-pekka. the original version is an intriguing slice of rough hewn techno, exactly the kind of ruggedness on the dance floor ascii.disko has become well-known for. rising italian techno producer taster peter significantly re-works the track in to a dark, peak hour chugger complete with rolling drums and polyrhythmic glee that cannot be easily ignored. rounding out the three-track release is a remix from finnish star jussi-pekka. giving the source material a wild ride that combines a shuffling house beat, funky latin percussion, and even a slight hint of yello. his re-interpretation strips away the industrial strength techno edge of the original and replaces it with a warm, inviting deep house vibe that will get dance floors jumping for joy.

british house producer alex jones is giving you the creeps, with a smile on his face. his latest release features three trippy tracks of dark and edgy dancefloor charm. >have it your way<, (produced together with london artist shenoda) and >5 minute warning< are both featuring the haunting vocals by allan winfield. chilling synths collide with hypnotic basslines and a driving rhythm programming that is full of twists and turns. entitled >the goldsmiths row ep< alex jones first record on connaisseur recordings, bears more than one reference to his hometown of london.

this is a special release to us at days of being wild, firstly because it s the return of catalepsia and he s in a mighty form, secondly because we felt very privileged to have artists of the calibre of sean and don getting involved and lastly the quality of the remixes they delivered left us speechless! so dope menace is an energetic dance floor stomper, centred around a very heavy beat and is indeed quite a menacing affair. built around a hellish, relentless string riff, the track is a dramatic, cinematic, dark mid tempo house number that could induces as much fancy foot work as it would head banging. jerome bazzanella, the man behind catalepsia has been releasing techno / house records for the last 3 years on various labels and compilations (synewave, remute, métis recoordings...) he likes to keep the tempo roughly between 110/120 bpm, favouring a heavy, efficient sound, with subtle sound effects and movements, in the tradition of the records from chicago and detroit.

ray keiths ufo imprint returns to bring you a killer slice of dubbed out terror. dubdread – warped offers up a 140 breaks influenced slammer, meantime flip to the b-side for the ray keith remix showcasing his trademark breaks and production skills reminiscent of the dark soldier days all brought nicely down to the 140 bpm area. huge 12 inch!